JERRY #1
2010
Our goal in the first issue of JERRY was to publish a “cacophony of voices” that represent contemporary poetry and prose. While we knew what a huge task that would be, Issue 1 hopefully begins that project, the first chord of our song.
The poetry and prose in JERRY capitalizes on the opportunity to incorporate unlikely language, unlikely inspiration, whether in Timothy Donnelly's mash-up of Osama bin Laden and Jed Clampitt in “Dream of Arabian Hillbillies” or Dan Bevacqua's story of an actor driven to a strange L.A. madness. The poetry of Rusty Morrison, Jane Gregory and Nancy Kuhl all explore the possiblity of the lyric, arranging their beauty and into shapes and sounds. The intimacy of family and friends is central to Stefan de la Garza and Lisa Monroy's prose, while there is intense intimacy in Tomaz Salamun's haunting lyric “Jasa”: “burn like a stem, child, kill yourself.” But it's in Steve Langan's “Twenty-Two Bedtime Stories” that we find the mantra for JERRY: “Let's refuse to say no to beauty.”
POEMS
TIMOTHY DONNELLEY
JANE GREGORY
The Idea Endlessly Goes with the Place from Which It Came
NANCY KUHL
Archival Footage #23: Daylight Savings
Talking Points
Holograph
Waiting, With Prayer
RUSTY MORRISON
Appearances
Appearances
Appearances
Appearances
Appearances
TOMAZ SALAMUN
[At the edge of the field there stands a village]
Jaša
Mulberries
Voice
The Dew
THOMAS HUMMEL
The eye travels paths cut out for it in work.
A tall plant of generality.
STEVE LANGAN
FICTION
DAN BEVACQUA
STEFAN DE LA GARZA
LIZA MONROY
REVIEWS
The Most Beautiful Book in the World by Eric-Emmanuel Schmitt
Reviewed by Edward Helfers
The Pure Lover: A Memoir of Grief by David Plante
Reviewed by Jay Goldmark
Brief Under Water by Cyrus Console
Reviewed by Joseph Spece
Plants Don't Drink Coffee by Unai Elorriaga
Reviewed by Kera Yonker
Lisa Robertson's Magenta Soul Whip by Lisa Robertson
Reviewed by Fox Frazier-Foley
The Portable February by David Berman
Reviewed by Dawn Marie Knopf
The All-Purpose Magical Tent by Lytton Smith
Reviewed by Susannah Nevison